风险、回归工业和民主的未来

Lukas Szrot
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摘要

回顾2020年,我考虑到美国崩溃的可能性,以及它在代议制和民主承诺方面的不足。我认为,阴谋论理性的传播是这些失败所产生的不信任的症状。借鉴自然主义、批判理论和知识社会学对阴谋论理性的描述,我认为这种思维是利益束缚的,将不信任武器化,广泛吸引人,但最终会削弱权力,服务于失败的实践和权力具体化的目的。我研究了制度化不信任的两种可能来源:“文化战争”理论认为,不信任与宗教、种族和文化界线上的两极分化反复联系在一起;乌尔里希·贝克(Ulrich Beck)关于“回归工业”的观点,在这种观点中,对新危险的反应受到技术经济要求的限制,这种要求使知识政治化,分裂了阶级忠诚。我强调第二种解释,但不忽视第一种解释。我认为,从COVID到制度歧视再到气候变化,这种应对危险的方法既不可持续,也不利于建立社会信任。然后,借鉴贝克以及来自不同民主传统的学者,我提出了可能的未来愿景,包括但不限于在此分析的基础上恢复美国社会信任的途径。到2020年,我一直在断断续续地写这篇论文。几个月来,我考虑了许多可能的方法,但都拒绝了
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Risk, Return to Industry, and the Future of Democracy
Reflecting on 2020, I consider the possibility of the collapse of the United States, as well as the ways in which it has fallen short of representative and democratic promise. I argue that the spread of conspiratorial reason is symptomatic of the mistrust that has arisen from these failures. Drawing on naturalist, critical theory, and sociology of knowledge accounts of conspiratorial reason, I argue that such thinking is interest-bound, weaponizing mistrust, and is broadly appealing but ultimately disempowering, serving the ends of failed praxis and reification of power. I examine two possible sources of institutionalized mistrust: the “culture wars” thesis which argues that mistrust is iteratively linked to polarization along religious, racial, and cultural lines, and Ulrich Beck’s vision of a “return to industry” in which responses to novel hazards are constrained by techno-economic imperatives that politicize knowledge and splinter class loyalties. I emphasize the second explanation without discounting the first, arguing that this approach to hazards, from COVID to institutional discrimination to climate change, is both unsustainable and self-thwarting in terms of building social trust. Then, drawing on Beck as well as scholars from various democratic traditions, I offer possible future visions, including but not limited to avenues toward restoration of social trust in the United States, based on this analysis. I have worked on this paper on and off through 2020. For months I considered, and rejected, multiple possible approaches that followed from the spectacle as I
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