{"title":"海蒂编年史:女权主义的大寒","authors":"J. Balák","doi":"10.2307/3201302","DOIUrl":null,"url":null,"abstract":"W HEN WENDYWASSERSTEIN'S PLAY, The Heidi Chronicles (1988), won the Pulitzer Prize, many feminist critics assaulted it, insisting that it is not really a feminist play because Heidi \"sells out\" in the end by adopting a baby. They argued that \"this unmotivated conclusion compromised Heidi's antecedent values,\" and that the true cause of her depression was her \"manlessness\" (Kramer 3). In fact, when the play was being considered for film production in Hollywood, L.A. producers said, \" ... we just have trouble with the main character, the second act and the ending\" (Wasserstein 10). Wasserstein, however, retorts that Heidi adopts a baby because that choice is consistent with her character:","PeriodicalId":424324,"journal":{"name":"South Atlantic Review","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1995-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"The Heidi Chronicles: The Big Chill of Feminism\",\"authors\":\"J. Balák\",\"doi\":\"10.2307/3201302\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"W HEN WENDYWASSERSTEIN'S PLAY, The Heidi Chronicles (1988), won the Pulitzer Prize, many feminist critics assaulted it, insisting that it is not really a feminist play because Heidi \\\"sells out\\\" in the end by adopting a baby. They argued that \\\"this unmotivated conclusion compromised Heidi's antecedent values,\\\" and that the true cause of her depression was her \\\"manlessness\\\" (Kramer 3). In fact, when the play was being considered for film production in Hollywood, L.A. producers said, \\\" ... we just have trouble with the main character, the second act and the ending\\\" (Wasserstein 10). Wasserstein, however, retorts that Heidi adopts a baby because that choice is consistent with her character:\",\"PeriodicalId\":424324,\"journal\":{\"name\":\"South Atlantic Review\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1995-05-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"South Atlantic Review\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.2307/3201302\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"South Atlantic Review","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2307/3201302","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
W HEN WENDYWASSERSTEIN'S PLAY, The Heidi Chronicles (1988), won the Pulitzer Prize, many feminist critics assaulted it, insisting that it is not really a feminist play because Heidi "sells out" in the end by adopting a baby. They argued that "this unmotivated conclusion compromised Heidi's antecedent values," and that the true cause of her depression was her "manlessness" (Kramer 3). In fact, when the play was being considered for film production in Hollywood, L.A. producers said, " ... we just have trouble with the main character, the second act and the ending" (Wasserstein 10). Wasserstein, however, retorts that Heidi adopts a baby because that choice is consistent with her character:
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