Ironijski modus heroja u dramama . p . Čehova /契诃夫戏剧中英雄的讽刺模式

Merima Handanović
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引用次数: 0

摘要

本文旨在探讨契诃夫戏剧中主人公形象的塑造模式。在分析主人公形象模式的过程中,本文结合20世纪戏剧诗学研究文献,对契诃夫最重要的四部剧作进行了分析,以期对契诃夫的戏剧世界是如何建构的有更清晰的认识。具体来说,重点是四幕四剧:《三姐妹》、《伊万诺夫》、《海鸥》和《万尼亚叔叔》。为了把爱情放在这部作品的主要背景中,研究的主题不是戏剧《樱桃》。本文的题目是《基于反讽原则的戏剧角色功能与建构论文》,以此来检验和证明题目论文。在这样做的过程中,从契诃夫的角度来处理这样一个被置于戏剧性情境中的英雄模型是非常有趣的,契诃夫是一个作家-分析者的作家。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
IRONIJSKI MODUS HEROJA U DRAMAMA A. P. ČEHOVA / THE IRONIC MODE OF HEROES IN PLAYS BY A. P. CHEKHOV
The aim of this paper is to investigate the model of the figure of the hero in the plays of Anton Pavlovich Chekhov. In analyzing the model of the figure of the hero, four of the most significant plays by A. P. Chekhov were analyzed in consultation with the literature on the poetics of 20th century drama in order to gain a clearer understanding of how the dramatic world of characters was constructed. Specifically, the focus is on four dramas in four acts: "Three Sisters", "Ivanov", "Seagull" and "Uncle Vanya". For the sake of placing love in the key context of this work, the subject of research is not the drama "Cherry." The paper is entitled thesis on the functioning and construction of characters in dramas based on the principle of irony, and thus sets the goal of examining and proving the title thesis. In doing so, it is very interesting to deal with such a model of hero placed in dramatic situations from the perspective of A. P. Chekhov, a writer who writes his characters as a writer-analyst.
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