Mari Høgestøl, Lisbeth Prøsch-Danielsen, Olav Walderhaug
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引用次数: 1

摘要

在挪威西南部的罗加兰县,可以发现该国最大的岩石艺术收藏之一:大约110个刻有人物和杯纹的遗址,38个刻有刻有杯纹的装饰石板或石头的坟墓纪念碑(总共67块石板)和37个带有杯纹的装饰石板或石头的偶然发现。1996年,斯塔万格大学考古博物馆成立了一个跨学科小组,主要从事岩石艺术的记录和保存。这个小组是国家岩石艺术项目的一部分,这是一个由挪威文化遗产管理局管理的项目。该项目一直持续到2005年,此后,该局为继续开展这项工作提供了补充资金。之前发表的两篇关于Rogaland岩石艺术的论文(AmS-Rapport 9和AmS-Rapport 19)。在本出版物中,我们将介绍15个有人物和杯痕的地点,20个只有杯痕的地点,以及61个从坟墓纪念碑或偶然发现的装饰有杯痕的石板和石头。船只是最常见的动机,但动机也包括简单的圆盘、车轮十字,以及更罕见的人物、马和斧头。尽可能将这些遗址置于植被历史、海平面波动和地质条件的环境背景中。此外,该出版物还包括早期调查和文件的历史概要,以及岩石艺术遗址的描述和现状。还描述了损坏和风化。最后,我们对岩石艺术的象征意义和文化背景进行了解读。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Bergkunst på Midt- og Sør-Jæren samt i Dalaneregionen, Rogaland. Motiver, historikk, naturmiljø og tilstand.
In Rogaland County, southwestern Norway, one of the country’s largest collections of rock art can be found: ca. 110 sites with figures and cup marks, 38 grave monuments with decorated slabs or stones with cup marks (altogether 67 slabs) and 37 stray finds of decorated slabs or stones with cup marks. In 1996, the Museum of Archaeology, University of Stavanger established an interdisciplinary group working primarily on the documentation and preservation of rock art. This group was part of the National Rock Art Project, a program run by the Norwegian Directorate for Cultural Heritage. The project lasted until 2005, after which the Directorate granted supplemental funds for continuing the work. Two previous papers have been published concerning rock art in Rogaland (AmS-Rapport 9 and AmS-Rapport 19). In this publication, we will present 15 sites with figures and cup marks, 20 with cup marks only and 61 decorated slabs and stones with cup marks recovered from either grave monuments or as stray finds. Ships are the most common motive, but the range of motives also includes simple discs, wheel crosses and, more rarely, human figures, horses and axes. As far as possible, these sites are put into an environmental context in terms of vegetation history, sea-level fluctuations and geological conditions. Furthermore, the publication contains an historical outline of earlier investigations and documentation as well as descriptions and the present status from the rock art sites. Damage and weathering are also described. Finally, we present interpretations of the symbolism and cultural background of the rock art.
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