“我们将把他煮在炖锅里”:格林兄弟的《杜松树》中的继母和长子继承制

Kymberlin Bush
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引用次数: 0

摘要

19世纪食人继母的故事在21世纪的犯罪和新闻报道中持续流行,这说明了什么更大的社会问题?在这篇论文中,我将格林兄弟(Brothers grimm)非正统小说《杜松树》(the Juniper Tree)中一个虚构的食人情节与2010年北卡罗来纳州希科里发生的扎赫拉·贝克(Zahra Baker)谋杀案和随后被肢解的真实故事进行了比较,以考虑食人继母更大的文化含义。在这样做的过程中,我认为,尽管主流动画工作室半心半意地试图根据格林兄弟、安徒生和查尔斯·佩罗收集的经典童话创作半女权主义的改编作品,但类似于《杜松树》的叙事实际上强化了一种以牺牲妻子和女儿为代价的亲男性继承模式。这些改编也传达了围绕混合家庭的现代社会焦虑,特别是关于童年的异规范愿景,关于收养的救世主叙事,以及关于继承的简单答案。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“We’ll Cook Him Up in a Stew”: Stepmothers and Primogeniture in the Brothers Grimm’s The Juniper Tree
What larger social concern could the continued popularity of the nineteenth-century cannibal stepmother narrative in twenty-first century crime and news reporting be indicating? In this paper, I compare a fictional episode of cannibalism in the non-canonical Brothers Grimms’ tale, “The Juniper Tree,” with the true story of the 2010 murder and subsequent dismemberment of Zahra Baker in Hickory, North Carolina to consider the larger cultural implications of cannibalistic stepmothers. In doing so I argue that, despite the half-hearted attempt by mainstream animation studios to try to create semi-Feminist adaptations of the canonical fairy tales collected by the Brothers Grimm, Hans Christian Andersen, and Charles Perrault, narratives similar to “The Juniper Tree” in fact reinforce a pro-male model of inheritance at the sacrifice of both wives and their girl children. These adaptations also communicate modern social anxieties surrounding blended families, especially regarding heteronormative visions of childhood, savior narratives around adoption, and easy answers about inheritance.
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