“来的兄弟。我们回家吧。”

C. Dougherty
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引用次数: 0

摘要

本章提供了托尼·莫里森2012年的小说《家》的阅读,讲述了一个朝鲜战争老兵回到美国,并试图在20世纪50年代种族隔离的美国找到自己的路的故事。弗兰克·莫尼从军队退伍,患上了我们现在所说的创伤后休克综合症,他不情愿地前往亚特兰大寻找他的妹妹,并把她带回了佐治亚州的家——这样一来,《故乡》不仅逆转了大迁徙的北上之旅,而且以有趣的方式重新安排了奥德修斯的旅程。荷马的《奥德赛》结束得很突然,我们对奥德修斯和佩内洛普浪漫重逢的喜悦分散了我们对这首诗不太令人满意的处理战争暴力的方式以及将暴力带回家的挑战的注意力。《士兵归来》关注的是主人公无法通过谈判成功地从战争中回家而导致的迷失方向,而莫里森的小说则利用怀旧的修复力量,在小说的结尾重建了莲花,将其视为一个比弗兰克留下的家园更好的新家。让人联想到一种回归的形象,它不是被定义为丈夫和妻子的浪漫团聚,而是将目光转向兄弟姐妹的家庭纽带,以关注个人、家庭和集体层面的暴力和救赎主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
“Come brother. Let’s go home”
This chapter offers a reading of Toni Morrison’s 2012 novel Home, telling the story of a Korean War veteran’s return to the USA and his attempts to find his way in the racially segregated America of the 1950s. Discharged from the army and suffering from what we would now call post-traumatic shock syndrome, Frank Money reluctantly heads to Atlanta to find his sister and bring her home with him to Georgia—in this way, Home not only reverses the northward journey of the Great Migration, but it re-routes Odysseus’ itinerary in interesting ways. Homer’s Odyssey ends rather abruptly, and our delight at the romantic reunion of Odysseus and Penelope distracts us from the poem’s less than satisfactory way of dealing with the violence of war and the challenges of bringing that violence home. Where The Return of the Soldier focuses on the disorientation that follows from its protagonist’s inability to negotiate a successful return home from war, Morrison’s novel draws upon the restorative powers of nostalgia to reconstruct Lotus at the novel’s conclusion as a new and better home than the one Frank left behind, conjuring an image of return that is not defined as the romantic reunion of husband and wife but one that looks instead to the brother–sister family bond to attend to the themes of violence and redemption at the individual, familial, and collective levels.
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