70年代末的古巴社会:草莓和巧克力的艺术生产和革命意识形态(1993)

Ana María Draghia
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引用次数: 0

摘要

《espanolFresa y chocolate》(1993)描述了70年代古巴的社会政治现实。通过电影,我们打算收集文化、宗教、政治甚至性压抑的样本。这部电影的象征意义支持了电影主角为了逃离压迫而寻求自由的不同方式,但也有助于构建当下的社会。因此,我们将分析电影的不同序列和符号,试图重建那个时代的政治和艺术背景。fresa y chocolate展示了70年代古巴的社会和政治现实。在整部电影中,我们试图找出文化、宗教、政治甚至性压抑的线索。不同forms of The symbology of The sustains电影The seeking The freedom that The protagonists of The电影频谱in order to from The ramola bhar逃脱,但它还helps to build The society of that巴拉克。因此,我们分析了电影的不同序列和符号,试图重建当时的政治和艺术背景。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La sociedad cubana a finales de los 70: producción artística e ideología revolucionaria en Fresa y Chocolate (1993)
espanolFresa y chocolate (1993) presenta la realidad socio-politica de Cuba en los anos 70. A traves de la pelicula pretendemos recoger aquellas muestras de represion cultural, religiosa, politica e incluso sexual. La simbologia del largometraje apoya las diferentes formas de busqueda de la libertad que los protagonistas de la pelicula buscan para escapar de la opresion, pero tambien sirven para construir la sociedad del momento. Asi, analizaremos diferentes secuencias y simbolos del film para intentar reconstruir el contexto politico y artistico de la epoca. EnglishFresa y chocolate presents the social and political reality of Cuba in the 70s. Throughout the film, we aim to identify those clues of cultural, religious, politic and even sexual repression. The symbology of the film sustains the different forms of seeking the freedom that the protagonists of the movie pursue in order to escape from the oppression, but it also helps to build the society of that moment. Thus, we analyze different sequences and symbols of the film to try to rebuild the political and artistic context of the time.
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