宗教科洛当道音乐:文化认同与宗教表达

A. Wasim, H. Handoyo, N. K. Khanifa
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引用次数: 0

摘要

人与文化是相互联系的两件事,不能分开。宗教和音乐是与文化有关的两件事。宗教信息和“达瓦”常被展示在音乐艺术的包装上,带来宗教音乐。在过去的二十年里,印度尼西亚音乐的发展产生了一种叫做Koplo dangdut的dangdut音乐,它在表演中也经常插入宗教信息,并以宗教Koplo dangdut的形式呈现。本文从人类学的角度考察了沿海社区作为一种文化现实的文化认同和宗教表达。这项研究是从伦理的角度进行的,作者只是观察而不直接参与观察对象。本研究的主要数据是来自YouTube的宗教koplo dangdut音乐视频。《Koplo dangdut》以歌词粗犷直接著称,反映了具有爪哇沿海社会背景的歌者的文化状况。然而,Koplo dangdut音乐类型的宗教方面仍然出现在宗教Koplo dangdut亚类型中。出现在宗教koplo dangdut阶段的宗教表达是包括信仰(意识形态)、经验(ahlak)和知识三个维度的艺术表达。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Religious Koplo Dangdut Music: Cultural Identity and Religious Expression
Humans and culture are two things that are interrelated and cannot be separated from each other. Religion and music are two things that have a relationship with culture. Religious messages and da'wah are often displayed in the packaging of musical art and bring religious music. The development of music in Indonesia in the past two decades gave rise to one of the dangdut music sub-genres, known as Koplo dangdut, which in its performance also often inserted religious messages and presented them in the religious Koplo dangdut format. This article examines Koplo dangdut as the cultural identity and religious expression of coastal communities, which is seen as a cultural reality, with an anthropological approach. The study is conducted with an ethical perspective, where the writer only observes without being directly involved in the object of observation. The main data in this study is the religious koplo dangdut music video from YouTube. Koplo dangdut, which is famous for its vulgarity and directness in the lyrics of the song, reflects the cultural conditions of the song performers with a background in coastal Javanese society. However, the religious side of the Koplo dangdut music genre still appears in the religious koplo dangdut sub-genre. Religious expressions that appear in the stage of religious koplo dangdut are artistic expressions which include dimensions of belief (ideology), experience (ahlak), and knowledge.
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