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引用次数: 2
摘要
自从他们第一次出现在福克纳的小说中,snopes就一直困扰着福克纳的读者。在Snopes三部曲中,这些滑稽、乖戾的人物主宰着密西西比州的杰弗逊,在福克纳更熟悉的人物中脱颖而出,这些人物是内省的知识分子或沉思的格格不入者,以及我们习惯在他的故事中看到的脾气善良、天真的乡下人。此外,我们通常是通过加文·史蒂文斯(Gavin Stevens)或v·k·拉特利夫(V. K. Ratliff)的解读意识的独特叙事距离来看待它们的,因此,即使是对Snopeses的描述更充分,也仍然是陌生的,某种程度上是一维的。我们遇到他们的叙事模式,以及Snopeses出现的许多情节所特有的奇怪环境,都导致了评论界的困惑,也导致了评论界的缺乏,而评论界成功地将Snopeses与福克纳更大的小说关注点联系起来。
Since their first appearance in his fiction, the Snopeses have troubled Faulkner's readers. These comic, perverse figures who come to dominate Jefferson, Mississippi, in the Snopes trilogy stand out among Faulkner's more familiar characters, the introspective intellectuals or brooding misfits and the good-natured, naive country people whom we are used to finding in his stories. We usually see them, moreover, through the distinct narrative distance of Gavin Stevens' or V. K. Ratliff's interpreting consciousness, and as a consequence, even the more fully depicted Snopeses remain alien and somehow one-dimensional. Both the narrative modes through which we encounter them and the bizarre circumstances characterizing so many of the episodes in which Snopeses appear have led to critical confusion and to a paucity of commentary that successfully ties the Snopeses to Faulkner's larger fictional concerns.