鹅毛笔:Oculus Story Studio新电影制作中的VR绘图

Iñigo Quilez
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引用次数: 3

摘要

Oculus Story Studio是VR短片“Lost”和“Henry”背后的团队,他们展示了他们最新电影“Dear Angelica”的艺术,该电影具有独特的说明性外观,允许艺术家使用Oculus Touch在VR中绘制场景。该项目考虑了一个关键问题:VR中的插图看起来是什么样子?为了回答这个问题,工作室超越了传统的平面CG工具(Maya, Photoshop等)并开发了Quill,它允许手部运动成为真正3D中的色彩笔触。有史以来第一次,动画电影的创作者置身于他们自己的创作之中,不再脱离它,从外面看它。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Quill: VR drawing in the production of Oculus Story Studio's new movie
Oculus Story Studio, the team behind the pioneering VR short films "Lost" and "Henry", demonstrates the art of their newest film, "Dear Angelica", which has a unique illustrative look created with a tool that allows artists to paint scenes in VR using Oculus Touch. The project considered a key question: What do illustrations look like in VR? To answer that, the studio moved beyond traditional flat CG tools (Maya, Photoshop, etc.) and developed Quill, which allows hand movements to become strokes of color in true 3D. For the first time, creators of an animated film were inside their own creation, no longer detached from it and looking at it from the outside.
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