G. W. L. Soerjoatmodjo
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摘要

这篇文章旨在解决的问题很简单:摄影记者是做什么的?乍一看,这似乎是一个容易回答的问题。然而,直到最近,印尼摄影记者协会(Pewarta Foto Indonesia,以下简称PFI)才做出制度性的尝试,正式回答这个问题。这个专业组织由800多名成员组成,分布在印尼20个城市。以东盟经济共同体的要求为背景,他们跟随广播、电视和印刷记者等其他新闻协会的脚步,首次启动了建立其能力标准的进程。这是关键,因为印尼目睹了媒体缺乏专业精神如何玷污了人们期待已久的后新秩序言论自由,当地媒体报道种族和宗教冲突的方式体现了新闻作品的低质量(Soerjoatmodjo, 2010)。以能力标准保护媒体可能有助于减少各种群体对媒体使用的暴力,并加强记者的复原力。这在新闻摄影领域引起了共鸣,因为与在线媒体相比,大多数印刷媒体都缺乏收入。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Indonesian Photojournalists, the Construction of Their Professional Identity and the Constant Negotiation against its Continuous Dilemma
The question this writing aims to address is straightforward: what do photojournalists do? At a glimpse, this seems to be an easy question to answer. Yet, institutional attempt to formally answer this question has only be made recently by Indonesian Photojournalists’ Association (Pewarta Foto Indonesia, hereinafter PFI) a professional organization comprising of more than 800 members in 20 cities in the country. With demands of the ASEAN Economic Community as the backdrop, following the footsteps of fellow journalistic associations such as radio, television and print journalists they initiated the first-ever process to set up its standard of competence. This was key, as Indonesia witnessed how lack of professionalism in the media has tainted the long-awaited postNew Order freedom of speech with poor quality of journalistic works epitomized by the way local media reported ethnic and religious conflicts (Soerjoatmodjo, 2010). Safeguarding the media with standard of competence may contribute to the reduction of violence used by various groups against the media and to strengthen journalists’ resilience. This resonates in such urgency in photojournalism sector – as most printed media, compared to online media for example, suffer from lack of revenues.
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