修正雅典娜的愤怒:卡桑德拉与诺斯托斯的荷马挪用

J. Christensen
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引用次数: 2

摘要

本文从史诗对待卡桑德拉的角度来探讨《奥德赛》中的诺斯托与其他诺斯托之间的关系。在这样做时,我强调两个观点。首先,我不是把“失落的”诗歌或现存的史诗作为“垂直”关系的主要内容,而是假设重构的诗歌和奥德赛相互影响的水平动态。其次,我认为,由于对遗失的诗歌几乎没有什么可以肯定的,参考其他传统主要证明了我们现存诗歌的创作方法和诗学。在概述了卡桑德拉故事的主要叙事特征之后,我认为在《奥德赛》中对她的故事的压制既是史诗歌颂奥德修斯和佩内洛普的策略的一部分,也是男性主导意识形态的执行特征。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Revising Athena’s Rage: Cassandra and the Homeric Appropriation of Nostos
This article approaches the relationship between the Odyssey’s nostos and other Nostoi from the perspective of the epic’s treatment of Cassandra. In doing so, I emphasize two perspectives. First, rather than privileging either “lost” poems or our extant epic as primary in a “vertical” relationship, I assume a horizontal dynamic wherein the reconstructed poems and the Odyssey influenced each other. Second, I assume that, since little can be said with certainty about lost poems, references to other traditions attest primarily to the compositional methods and the poetics of our extant poem. After outlining the major narrative features of the story of Cassandra that were likely available to Homeric audiences, I argue that the suppression of her story in the Odyssey is both part of the epic’s strategy to celebrate Odysseus and Penelope and a feature of the enforcement of a male-dominated ideology.
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