创造创意空间:作为表演场所的艺术与设计教室

C. Wild
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引用次数: 29

摘要

新的艺术和设计教师并没有在学校扮演转型的角色,而是迅速成为“学校艺术”正统观念的主体。在实践社区中,主体性理论和职业认同的发展感觉与课堂相去甚远。本文试图澄清教师身份和实践正常化的过程,并提出抵制这种过程的方法。根据福柯、利奥塔、布鲁纳、温格和贝的观点,作为表演场所的教室与另一种异托邦式的场所形成对比,远离观察的幽灵,在那里可以探索不同的身份和行为。这些差异的临时场所是对“学校艺术”条件的正统解毒剂,并为新教师和有经验的教师开辟了一种可能性,以实施一种更加好客,参与式的教学法。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Making Creative Spaces: The Art and Design Classroom as a Site of Performativity
Rather than taking a transformational role in schools, new art and design teachers quickly become subject to ‘school art’ orthodoxy. Theories of subjectivity and the development of professional identity within communities of practice can feel far removed from the classroom. This article seeks to make clearer the processes by which teacher identity and practice becomes normalised and proposes ways that such processes may be resisted. With reference to Foucault, Lyotard, Bruner, Wenger and Bey, the classroom as a site of performativity is contrasted with alternative heterotopia-like sites away from the spectre of observation, where different identities and behaviours can be explored. These temporary sites of difference are an antidote to the orthodoxy of the ‘school art’ condition and open up the possibility for teachers, both new and experienced, to implement a more hospitable, participatory pedagogy.
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