咆哮的二十年代

S. Smith
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引用次数: 0

摘要

作为百老汇的音乐剧导演,斯坦纳在20世纪20年代的剩余时间里,与纽约最著名的舞台天才们过着奢侈的生活,而且常常是入不敷出。他还参与策划和指挥了被认为是美国音乐喜剧转折点的节目:格什温夫妇的《淑女,要乖!》弗雷德·阿斯泰尔主演。本章对20世纪20年代美国音乐的演变提供了一个广泛的视角,同时重点关注施泰纳作为音乐剧作家的持续成长。特别值得注意的是他在管弦乐方面的技巧:通过聘请能演奏多种乐器的音乐家,斯坦纳让他的百老汇剧院合奏团听起来比实际规模更大。1929年,这份礼物引起了好莱坞RKO工作室的注意。这一章最后讲述了电影从无声电影到有声电影的艰难转变,以及斯坦纳接受了前往西部加入RKO刚刚起步的音乐部门的邀请。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Roaring in the Twenties
Now established as a Broadway musical director, Steiner would spend the rest of the 1920s living large—and often beyond his means—with New York’s most celebrated stage talents. He also co-orchestrated and conducted the show often cited as a turning point in American musical comedy: the Gershwins’ Lady, Be Good! starring Fred Astaire. This chapter offers a wide-angle view of the evolution of American music in the 1920s, while focusing on Steiner’s continuing growth as a musical dramatist. Particularly noteworthy was his skill at orchestration: by hiring musicians who could play multiple instruments, Steiner made his Broadway pit ensembles sound larger than they actually were. In 1929 this gift drew the attention of RKO Studios in Hollywood. The chapter concludes with a recounting of cinema’s rocky transition from silent films to talkies, and with Steiner accepting an offer to head west to join RKO’s fledgling music department.
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