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引用次数: 0
摘要
本文探讨了苏莱曼·阿尔·巴萨姆(Sulayman Al Bassam)的戏剧《加油站》(2017)中阈限的时间和空间方面。本文以阈限理论为基础,探讨了阈限如何影响巴萨姆作品中的人物塑造、身份形成、对真理的回避以及人物的荒诞存在。它还展示了作者如何巧妙地将地理位置的阈限投射到个人与集体、文字与象征、身份与身份的丧失、信仰与无神论、秩序与混乱、意义与无用、悲剧与幽默、生命与死亡之间飘忽不定的界限上。因此,该剧提供了一个熟练的戏剧化的地理阈限如何直接影响主体性,并创造了一个适宜的环境,阈限身份可以发展。文章的结论是,剧中人物克服了自己的中间性,这是通过他们个人的决心来超越阈限性的不同方面。关键词:苏莱曼·巴萨姆,阈限,时间,空间,荒谬,同一性。
At the Dawn of Existence: Aspects of Liminality in Sulayman
Al Bassam’s Petrol Station
This article explores the temporal and the spatial aspects of liminality in Sulayman Al Bassam’s play, Petrol Station (2017). Drawing on the theory of liminality, the paper investigates how liminality informed characterization, identity formation, the evasive concept of truth, and the characters’ absurd existence in Al Bassam’s work. It also shows how the author skillfully projects the liminality of geographical locations on the erratic boundaries between the personal and the collective, the literal and the symbolic, identity and loss of identity, faith and atheism, order and chaos, meaning and futility, tragedy and humor, and life and death. Accordingly, the play provides a proficient dramatization of how geographical liminality directly affects subjectivity and creates an apt environment where liminal identities can develop. The article concludes that the characters who managed to overcome their in-betweeness in the play achieved this through their individual determination to transcend the different aspects of liminality.
Keywords: Sulayman Al Bassam, liminality, Temporal, Spatial, Absurdity, Identity.