浅析kansime段子中反讽表达的不协调性

Christine Namayi, Monicah Onyancha
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引用次数: 0

摘要

本研究的目的是分析她的笑话中讽刺性表达的不一致性。对kansime的笑话的解释是作为kansime笑话的扩展来完成的。这项研究是一种实用主义的喜剧研究方法。它着眼于乌干达喜剧演员Anne Kansiime如何使用反讽来创造关联理论在文本解释中的适用性。在评估Kansiime的草图时,我们发现了听众如何解读文本,从而将其理解为幽默。在采用了关联理论框架(它试图解释听者在言语交际中是如何解释文本的)之后,我们有必要确定听者的位置,同时也要确定说话者的位置,因为喜剧演员试图判断他们的思想。为了在给定的话语中成功地解读文本,听者必须能够判断说话人的意图,而说话人也必须能够为解读过程提供良好的语境。出于这个原因,本研究通过观察演讲者(在本例中是幽默家)如何能够判断听众的想法,并随后判断听众在给定的演讲中会关注哪些相关内容来暗示这些概念。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Analysis of the incongruities in the ironical expressions in Kansiime’s jokes
The objective of this study was to analyse the incongruities in the ironical expressions incongruities in her jokes. The interpretation of Kansiime’s jokes was done as an expansion in Kansiime’s jokes. This study was a pragmatic approach to the study of comedy. It looked at how one Ugandan comedian, Anne Kansiime, uses irony to create of the applicability of Relevance Theory in the interpretation of texts. In assessing Kansiime's sketches, an insight was drawn into how hearers can interpret texts to perceive them as humorous. Having adopted the relevance theoretical framework, which tries to give an account of how hearers interpret texts during verbal communication, it necessitated that we define the place of the hearer and, at the same time that of the speaker since the comedian endeavours to judge their minds. For a successful interpretation of a text during a given discourse, the hearer must be able to judge the intentions of the speaker, while the speaker must also be able to give sound context for the interpretation process. For this reason, this study alludes to these concepts by looking at how the speaker, who in this case is the humorist, is able to judge the minds of her audience and subsequently judge what the audience will attend to as relevant during a given discourse.
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