地方文化、环境和场所建设

K. Denton
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引用次数: 0

摘要

本章着眼于“生态博物馆”模式下的博物馆,这种模式为当地社区打造了一种“地方感”。兰阳博物馆(。它是宜兰县博物馆网络的关键,既为宜兰人提供了文化出口和文化认同的形式,又促进了旅游业和经济的发展。黄金博物馆公园,或称黄金生态园,最初努力实现生态博物馆的理想,但它最终与所在的金瓜市当地社区建立了密切的合作关系。生态博物馆的理念远远超出了地方认同的范畴;它也符合台湾的特殊形象和台湾的民族认同。随着以社区为导向的生态博物馆点缀在国家地图上,台湾成为一个由可识别的社区组成的国家,这些社区同时是独特的,也是多元化整体的一部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Local Culture, the Environment, and Place-Making
This chapter looks at museums in the “ecomuseum” mode that serve to forge a “sense of place” for local communities. The Lanyang Museum (蘭陽博物館‎), opened in 2010, is a natural history museum focused on the “mountains, plains, and ocean” of Yilan county where it is located. The linchpin in a network of museums in the county, it both offers Yilan people cultural outlets and forms of cultural identification and stimulates tourism and economic development. Gold Museum Park (黃金博物園區‎), or Gold Ecological Park, struggled initially to live up to the ecomuseum ideal, but it eventually developed a close working relationship with the local community of Jinguashi, where it is located. The idea of the ecomuseum goes well beyond matters of local identity; it also sits well with a particular image of Taiwan and Taiwan national identity. With community-oriented ecomuseums dotting the national map, Taiwan becomes a nation of identifiable communities that are simultaneously unique and part of a diverse whole.
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