{"title":"导论:政治与艺术电影","authors":"James J. Harvey","doi":"10.3366/EDINBURGH/9781474423786.003.0001","DOIUrl":null,"url":null,"abstract":"This introduction introduces the thought of Jacques Rancière, making connections across his political, aesthetic and film writing. It also situates his thought in the theoretical domain of political film theory, as well as locating shortfalls in his film analyses.","PeriodicalId":126074,"journal":{"name":"Jacques Rancière and the Politics of Art Cinema","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Introduction: Politics and Art Cinema\",\"authors\":\"James J. Harvey\",\"doi\":\"10.3366/EDINBURGH/9781474423786.003.0001\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This introduction introduces the thought of Jacques Rancière, making connections across his political, aesthetic and film writing. It also situates his thought in the theoretical domain of political film theory, as well as locating shortfalls in his film analyses.\",\"PeriodicalId\":126074,\"journal\":{\"name\":\"Jacques Rancière and the Politics of Art Cinema\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2018-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jacques Rancière and the Politics of Art Cinema\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3366/EDINBURGH/9781474423786.003.0001\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jacques Rancière and the Politics of Art Cinema","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3366/EDINBURGH/9781474423786.003.0001","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
This introduction introduces the thought of Jacques Rancière, making connections across his political, aesthetic and film writing. It also situates his thought in the theoretical domain of political film theory, as well as locating shortfalls in his film analyses.
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