{"title":"从世界政治的背井离乡到当地社区的社会-身体呐喊。范式的改变?:摘自agustin fernandez MALLO的《战争三部曲》,克里斯蒂娜·莫拉莱斯的《易读》","authors":"K. Benson","doi":"10.31819/9783968691848-010","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":277558,"journal":{"name":"Territorios in(di)visibles","volume":"50 2 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"DEL DESARRAIGO DE LO COSMOPOLÍTICO AL GRITO SOCIOCORPORAL EN EL BARRIO LOCAL. ¿CAMBIO DE PARADIGMA?: DE TRILOGÍA DE LA GUERRA, DE AGUSTÍN FERNÁNDEZ MALLO, A LECTURA FÁCIL, DE CRISTINA MORALES\",\"authors\":\"K. Benson\",\"doi\":\"10.31819/9783968691848-010\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":277558,\"journal\":{\"name\":\"Territorios in(di)visibles\",\"volume\":\"50 2 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-12-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Territorios in(di)visibles\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31819/9783968691848-010\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Territorios in(di)visibles","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31819/9783968691848-010","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
DEL DESARRAIGO DE LO COSMOPOLÍTICO AL GRITO SOCIOCORPORAL EN EL BARRIO LOCAL. ¿CAMBIO DE PARADIGMA?: DE TRILOGÍA DE LA GUERRA, DE AGUSTÍN FERNÁNDEZ MALLO, A LECTURA FÁCIL, DE CRISTINA MORALES