{"title":"寻找马肖的诗学:《命运的救赎》中的音乐与修辞","authors":"J. Stokes","doi":"10.1525/JM.2014.31.4.395","DOIUrl":null,"url":null,"abstract":"Guillaume de Machaut’s Le Remede de Fortune has often been described as a didactic work addressed to would-be poets. This essay argues that the Remede also should be read as an implicit work of rhetorical and musical instruction. To this end, the Remede is placed in dialogue with Machaut’s more explicit account of the creative process in the Prologue , with other romans a chansons, such as Nicole de Margival’s Dit de la panthere d9amours , and with medieval theories of rhetoric and music, eventually arriving at a rhetorical reading of the Remede 9s large-scale structure, a didactic reading of the work9s musical interpolations, and a fresh insight into Machaut9s understanding of his own creative process.","PeriodicalId":413730,"journal":{"name":"The Journal of Musicology","volume":"79 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2014-10-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"3","resultStr":"{\"title\":\"In Search of Machaut’s Poietics: Music and Rhetoric in Le Remede de Fortune\",\"authors\":\"J. Stokes\",\"doi\":\"10.1525/JM.2014.31.4.395\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Guillaume de Machaut’s Le Remede de Fortune has often been described as a didactic work addressed to would-be poets. This essay argues that the Remede also should be read as an implicit work of rhetorical and musical instruction. To this end, the Remede is placed in dialogue with Machaut’s more explicit account of the creative process in the Prologue , with other romans a chansons, such as Nicole de Margival’s Dit de la panthere d9amours , and with medieval theories of rhetoric and music, eventually arriving at a rhetorical reading of the Remede 9s large-scale structure, a didactic reading of the work9s musical interpolations, and a fresh insight into Machaut9s understanding of his own creative process.\",\"PeriodicalId\":413730,\"journal\":{\"name\":\"The Journal of Musicology\",\"volume\":\"79 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2014-10-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"3\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Journal of Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1525/JM.2014.31.4.395\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Journal of Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1525/JM.2014.31.4.395","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 3
摘要
纪尧姆·德·马肖的《命运的救赎》经常被描述为一部针对未来诗人的说教作品。本文认为，《雷米德》也应被视为一部含蓄的修辞和音乐教学作品。为此，《雷梅德》被置于马肖在序言中对创作过程的更明确的描述中，与其他罗马人进行对话，如尼科尔·德·马吉瓦尔的《Dit de la panthere d9amours》，以及中世纪的修辞和音乐理论，最终达到了对《雷梅德》大规模结构的修辞解读，对作品的音乐插播的教学解读，以及对马肖对自己创作过程的理解的新见解。
In Search of Machaut’s Poietics: Music and Rhetoric in Le Remede de Fortune
Guillaume de Machaut’s Le Remede de Fortune has often been described as a didactic work addressed to would-be poets. This essay argues that the Remede also should be read as an implicit work of rhetorical and musical instruction. To this end, the Remede is placed in dialogue with Machaut’s more explicit account of the creative process in the Prologue , with other romans a chansons, such as Nicole de Margival’s Dit de la panthere d9amours , and with medieval theories of rhetoric and music, eventually arriving at a rhetorical reading of the Remede 9s large-scale structure, a didactic reading of the work9s musical interpolations, and a fresh insight into Machaut9s understanding of his own creative process.
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