党和德库里的塔鲁斯的泛灵论实践中艺术背后的象征价值

P. Rana
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引用次数: 1

摘要

在Dang的Tharus和Deukhuri的万物有灵实践中,艺术背后的象征价值是一篇关于各种象征性物体的论文,这些物体被称为与尼泊尔Terai的Tharus和Deukhuri观察到的万物有灵实践相关的恋物。从艺术的角度分析,他们创造的物品或恋物,在外人看来,或通过“客位方法”,似乎只是当地民族的原始手工艺。然而,当通过“主位方法”分析时,这些艺术创作或恋物具有巨大的象征价值。本文通过对这两个地区的实地考察,揭示了与他们的泛灵论实践相关的艺术创作背后的象征价值。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Symbolic Values Behind Art in the Animistic Practices among the Tharus of Dang and Deukhuri
The symbolic values behind the art in the animistic practices among the Tharus of Dang and Deukhuri is a paper that deals with various symbolic objects, that are termed as fetish associated with the animistic practices observed by the Tharus of Dang and Deukhuri of Terai Nepal. The objects or the fetish created by them when analyzed through an artistic perspective, seems, to the outsiders or through the ‘Etic Approach’ just a local ethnic crude handicraft. However, when analyzed through the ‘Emic Approach’ these artistic creations or fetish have great symbolic values associated with it. This paper-based on a field survey of the two regions has brought to limelight the symbolic values behind artistic creativity associated with their animistic practices.
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