{"title":"混音带和记忆制作:传统档案的嘻哈混音","authors":"Mark V. Campbell","doi":"10.1386/ghhs_00037_1","DOIUrl":null,"url":null,"abstract":"The preservation of hip hop cultures presents opportunities to examine archival methods, procedures and protocol anew. By focusing in on DJ cultures and mixtapes, these elements of hip hop culture offer us pathways to decolonial and anti-colonial interventions into institutional archives.\n This article asks: what is at stake when we envision creative practice and artists at the centre of practices of preservation of hip hop culture?","PeriodicalId":395273,"journal":{"name":"Global Hip Hop Studies","volume":"1 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Mixtapes and memory-making: A hip hop remix of the traditional archive\",\"authors\":\"Mark V. Campbell\",\"doi\":\"10.1386/ghhs_00037_1\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The preservation of hip hop cultures presents opportunities to examine archival methods, procedures and protocol anew. By focusing in on DJ cultures and mixtapes, these elements of hip hop culture offer us pathways to decolonial and anti-colonial interventions into institutional archives.\\n This article asks: what is at stake when we envision creative practice and artists at the centre of practices of preservation of hip hop culture?\",\"PeriodicalId\":395273,\"journal\":{\"name\":\"Global Hip Hop Studies\",\"volume\":\"1 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Global Hip Hop Studies\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1386/ghhs_00037_1\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Global Hip Hop Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/ghhs_00037_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Mixtapes and memory-making: A hip hop remix of the traditional archive
The preservation of hip hop cultures presents opportunities to examine archival methods, procedures and protocol anew. By focusing in on DJ cultures and mixtapes, these elements of hip hop culture offer us pathways to decolonial and anti-colonial interventions into institutional archives.
This article asks: what is at stake when we envision creative practice and artists at the centre of practices of preservation of hip hop culture?