重新审视安妮塔·德赛的小说:追寻第三种文化/第三种空间光谱的代际关联

Nishtha Kishore
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引用次数: 0

摘要

本文试图从阿妮塔·德赛(1937年)小说创作的代际关联中探寻第三文化主体性定位的可能性和第三空间光谱的范围。这种联系从人物美学到她小说中的战略性空间干预,以及将其扩展到与不断移动和重构的地点有关的读者的新压力的范围。周围的世界显示出个体解体的迹象,与错位、迁移和动态形式的运动相对。因此,现代印英小说必须寻求新的技巧来表达经验丰富的内在和外在现实,融合文本性、空间性和主观性。德赛对个人的关注突出了他们的心理动机,身份结构,家庭制度的组织逻辑,解体,失败感,提供明确二元的缺席,以及她对存在无用性的敏锐意识,这在她的大多数小说中都得到了体现。本文试图通过对她的主要小说的第三文化光谱的分析来理解这种可能性,这可能是处理她的全部作品和适应她的主要主题的主要组成部分。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Revisiting Anita Desai’s Fiction: Tracing Generational Relevance towards a Third Culture/Third Space Spectrum
The paper attempts to trace the generational relevance of produced fiction by Anita Desai (b. 1937) towards the possibility of locating third culture subjectivity and the scope of the third space spectrum. The association ranges from the character aesthetics to strategic spatial intervention in her fiction, and the scope of extending the same to new pressures of readership pertaining to constantly mobile and restructured locales. The world around shows signs of disintegration of the individual vis-a-vis dislocation, migration, and dynamic forms of locomotion. It is, therefore, imperative that the modern Indian-English novel should seek new techniques to articulate the experienced inner and outer realities, merging textuality, spatiality, and subjectivity. Desai's preoccupation with the individual highlights their psychological motivations, identity constructs, organizational logic of family institutions, disintegration, sense of failure, the absence to offer a clear binary, and her keen awareness of the futility of existence radiates from most of her novels. The paper tries to fathom such possibilities through analyses of her major fiction into a third culture spectrum, which may serve as a major constituent to tackle her oeuvre and accommodate her major themes.
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