尼采的堂吉诃德在查拉图斯特拉和基督之间:笑声,怨恨和先验的痛苦

Paul Slama
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引用次数: 0

摘要

摘要本文描述了堂吉诃德在尼采的作品中作为一个人物和一部小说所扮演的角色。在德国浪漫主义接受小说的背景下,通过确定小说的地位,它的人物,它的作者(在他的口是心非中)和它的读者,我认为堂吉诃德在尼采的作品中扮演了一个有问题的角色他的角色是陷入形而上学幻想的形而上学个体的典范,是读者和塞万提斯自己的怨恨的嘲笑容器,但堂吉诃德也代表了一种深刻的痛苦的经历(我称之为“先验的”),揭示了形而上学幻象之外的世界。这一调查让我们在堂吉诃德和基督之间,以及查拉图斯特拉之间,找到了相似之处,并在尼采的作品中,恢复了某种形式的痛苦,继承了对基督的某种理解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Nietzsche’s Don Quixote between Zarathustra and Christ: Laughter, Ressentiment, and Transcendental Pain
Abstract This article describes the role Don Quixote plays as a character and as a novel in Nietzsche’s work. Against the background of German romanticism’s reception of the novel, and by identifying the status of the novel, its characters, its author (in his duplicity) and its reader, I argue that Don Quixote plays a problematic role in Nietzsche’s writings: his character is at once the paradigm of the metaphysical individual caught in metaphysical illusions, the mocked receptacle of the ressentiment of readers and of Cervantes himself, but Don Quixote also represents the experience of a deep suffering (which I call “transcendental”), revealing the world outside the simulacra of metaphysics. This investigation leads us to draw parallels between Don Quixote and Christ, but also Zarathustra, and to rehabilitate a certain form of suffering, inherited from a certain understanding of Christ, in the work of Nietzsche.
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