艺术教育、实践与研究的资产与投资状况

Tero Nauha
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引用次数: 0

摘要

本文假设艺术硕士学生和专业艺术家需要评估金融化所涉及的条件及其对他们实践的影响。艺术家的选择、未来和风险是什么?如何评估、甚至定价无形资产,如声誉、忠诚度或情感能力?在机构环境中,资产化和作为被投资方的运作已经成为管理价值、风险和波动性的必要条件。在民营化过程中,大学正在成为战略中心,并开始推进自我资产化。这些都包括在参与和关怀活动或艺术的集体和过程实践中。与此同时,学生和艺术家被他们值得投资的资产所制约。他们正在成为投资者。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Assets and Investee Condition of Art Education, Practice, and Research
This article postulates that MA students of the arts and professional artists need to assess the conditions implicated by financialization and its effect on their practice. What are the options, futures, and risks for an artist? How are intangible assets like reputation, loyalty, or affective capacity evaluated, even priced? In institutional contexts, assetization and functioning as investee are already a necessity for the management of value, risk, and volatility. Through processes of privatization, universities are on their way to becoming strategic hubs that, for their part, start to promote self-assetization. These are included in participatory and care activities or collective and processual practices in the arts.At the same time, students and artists are conditioned by their assets worth investing in. They are becoming investees.
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