{"title":"一个拼凑的家庭:在Pölsler奥地利电影《死亡魔杖》中为生存而奋斗","authors":"Eckhard Rölz","doi":"10.53555/nnssh.v2i4.211","DOIUrl":null,"url":null,"abstract":"The movie Die Wand (2013) was hugely successful in the German-speaking world and once dubbed, also in other countries. It is often described as a film depicting a woman living in utter isolation cut off from any social contact. I, however, argue that the protagonist, though she is without any human contact, creates a family-like order with the animals that have flocked to her. She is the dominant mother figure who takes care of her“children” and defends them when needed.","PeriodicalId":265472,"journal":{"name":"Journal of Advance Research in Social Science and Humanities (ISSN: 2208-2387)","volume":"62 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2016-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"A Patchwork Family: The Struggle for Survival in Pölsler’s Austrian Movie Die Wand\",\"authors\":\"Eckhard Rölz\",\"doi\":\"10.53555/nnssh.v2i4.211\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The movie Die Wand (2013) was hugely successful in the German-speaking world and once dubbed, also in other countries. It is often described as a film depicting a woman living in utter isolation cut off from any social contact. I, however, argue that the protagonist, though she is without any human contact, creates a family-like order with the animals that have flocked to her. She is the dominant mother figure who takes care of her“children” and defends them when needed.\",\"PeriodicalId\":265472,\"journal\":{\"name\":\"Journal of Advance Research in Social Science and Humanities (ISSN: 2208-2387)\",\"volume\":\"62 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2016-04-30\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Advance Research in Social Science and Humanities (ISSN: 2208-2387)\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.53555/nnssh.v2i4.211\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Advance Research in Social Science and Humanities (ISSN: 2208-2387)","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.53555/nnssh.v2i4.211","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A Patchwork Family: The Struggle for Survival in Pölsler’s Austrian Movie Die Wand
The movie Die Wand (2013) was hugely successful in the German-speaking world and once dubbed, also in other countries. It is often described as a film depicting a woman living in utter isolation cut off from any social contact. I, however, argue that the protagonist, though she is without any human contact, creates a family-like order with the animals that have flocked to her. She is the dominant mother figure who takes care of her“children” and defends them when needed.