{"title":"动物压迫与团结:检视二十一世纪媒体中动物及其盟友的表现","authors":"Tayler Zavitz, Corie Kielbiski","doi":"10.31165/nk.2021.142.643","DOIUrl":null,"url":null,"abstract":"Popular media, both literature and film, provide a location in which animal suffering, resistance and solidarity are finally visible. An examination of Bong Joon-ho’s award-winning film Okja (2017) and Karen Joy Fowler’s New York Timesbest-selling novel We Are All Completely Beside Ourselves (2013) reveals complex media representations of animals that highlight the significance of twenty-first century media in depicting the animal in the human world.","PeriodicalId":299414,"journal":{"name":"Networking Knowledge: Journal of the MeCCSA Postgraduate Network","volume":"457 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2021-10-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Animal Oppression and Solidarity: Examining Representations of Animals and Their Allies in Twenty-First Century Media\",\"authors\":\"Tayler Zavitz, Corie Kielbiski\",\"doi\":\"10.31165/nk.2021.142.643\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Popular media, both literature and film, provide a location in which animal suffering, resistance and solidarity are finally visible. An examination of Bong Joon-ho’s award-winning film Okja (2017) and Karen Joy Fowler’s New York Timesbest-selling novel We Are All Completely Beside Ourselves (2013) reveals complex media representations of animals that highlight the significance of twenty-first century media in depicting the animal in the human world.\",\"PeriodicalId\":299414,\"journal\":{\"name\":\"Networking Knowledge: Journal of the MeCCSA Postgraduate Network\",\"volume\":\"457 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-10-31\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Networking Knowledge: Journal of the MeCCSA Postgraduate Network\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.31165/nk.2021.142.643\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Networking Knowledge: Journal of the MeCCSA Postgraduate Network","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31165/nk.2021.142.643","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Animal Oppression and Solidarity: Examining Representations of Animals and Their Allies in Twenty-First Century Media
Popular media, both literature and film, provide a location in which animal suffering, resistance and solidarity are finally visible. An examination of Bong Joon-ho’s award-winning film Okja (2017) and Karen Joy Fowler’s New York Timesbest-selling novel We Are All Completely Beside Ourselves (2013) reveals complex media representations of animals that highlight the significance of twenty-first century media in depicting the animal in the human world.
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