压缩与截断:首尔韩文重音短语∗的案例

Hyesun Cho, Edward Flemming
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引用次数: 3

摘要

Cho, Hyesun和Edward Flemming, 2015。压缩与截断:以汉城朝鲜语重音短语为例。语音学、音系学和形态学研究359 - 382。压缩和截断是语言在面对时间压力时实现调性旋律的两种常用策略。压缩涉及调整音调实现的语音细节,以适应在可用时间内的音调序列,而截断涉及删除音系音调,减少旋律以适应与之相关的片段材料。首尔语在快速语速造成的时间压力下似乎表现出音调的截断:重音短语(AP)通常以上升-下降-上升旋律(LHLH)为特征,但在快速语速下,AP可以通过上升的F0轮廓来实现。以语速为条件的绝对音调删除在理论上具有重要意义,因为它意味着语音操作可以由话语特定的语音细节决定。然而,通过分析AP旋律在一定语音速率范围内的实现情况,我们可以发现,表面上的音调删除实际上是将最终的HLH序列压缩成如此短的间隔,以至于低音完全被忽略,两个高音被有效地融合在一起。这一分析说明了一个普遍的观点,即如果没有对语音实现过程的明确分析,就不可能确定是什么语音表征产生了特定的语音形式。(檀国大学和麻省理工学院)
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Compression and truncation: The case of Seoul Korean accentual phrase ∗
Cho, Hyesun and Edward Flemming. 2015. Compression and truncation: The case of Seoul Korean accentual phrase. Studies in Phonetics, Phonology and Morphology 21.2. 359-382. Compression and truncation are two general strategies adopted by languages in realizing tonal melodies in the face of time pressure. Compression involves adjustment of the phonetic details of tone realization to fit a tone sequence in the time available, while truncation involves deletion of a phonological tone, reducing a melody to fit the segmental material with which it must be associated. Seoul Korean appears to show truncation of tones in response to time pressure resulting from fast speech rate: the Accentual Phrase (AP) is canonically marked by a rise-fall-rise melody (LHLH), but at fast speech rates, APs can be realized with a rising F0 contour. Categorical tone deletion conditioned by speech rate would be theoretically significant because it would imply that a phonological operation can be conditioned by utterance-specific phonetic detail. However, analysis of the realization of the AP melody across a range of speech rates provides evidence that the apparent deletion of tones is actually the end result of compressing the final HLH sequence into such a short interval that the low tone is completely undershot and the two high tones are effectively merged. This analysis illustrates the general point that it is not possible to determine what phonological representation gave rise to a particular phonetic form without explicit analysis of the process of phonetic implementation. (Dankook University and Massachusetts Institute of Technology)
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