{"title":"Miejsca bezpieczne: Kafka, Walser, Schulz","authors":"M. Wilczyński","doi":"10.26881/sf.2018.11.06","DOIUrl":null,"url":null,"abstract":"The paper begins with a reference to Franz Kafka’s unfinished long short story “The Burrow,” which has been chosen as a starting point of a series of intertextual associations focusing on futile efforts made by various modernist literary narrators and characters to find a sense of safety in some specific settings. The route from “The Burrow” runs through selected short stories by Martin Walser toward late fiction by Bruno Schulz, in particular “The Republic of Dreams” and “The Homeland,” revealing affinities connecting the Polish writer from Drogobych with two writers of the German language, who shared his fears and obsessions.","PeriodicalId":113600,"journal":{"name":"Schulz/Forum","volume":"79 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2018-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Schulz/Forum","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26881/sf.2018.11.06","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
摘要
本文首先引用了弗朗茨·卡夫卡未完成的长篇短篇小说《洞穴》,它被选为一系列互文关联的起点,这些互文关联关注的是各种现代主义文学叙述者和人物在某些特定环境中寻找安全感的徒劳努力。从《洞穴》开始,我们读了马丁·沃尔瑟(Martin Walser)的一些短篇小说,然后读到了布鲁诺·舒尔茨(Bruno Schulz)的晚期小说,尤其是《梦想共和国》(The Republic of Dreams)和《国土》(The Homeland),揭示了这位来自德罗戈比奇的波兰作家与两位德语作家之间的联系,他们分享了他的恐惧和痴迷。
The paper begins with a reference to Franz Kafka’s unfinished long short story “The Burrow,” which has been chosen as a starting point of a series of intertextual associations focusing on futile efforts made by various modernist literary narrators and characters to find a sense of safety in some specific settings. The route from “The Burrow” runs through selected short stories by Martin Walser toward late fiction by Bruno Schulz, in particular “The Republic of Dreams” and “The Homeland,” revealing affinities connecting the Polish writer from Drogobych with two writers of the German language, who shared his fears and obsessions.