当代教学:与当代艺术实践教师的对话

Tara Page, Steve Herne, P. Dash, Helen Charman, Dennis Atkinson, Jeff Adams
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引用次数: 25

摘要

泰特现代美术馆和金史密斯学院的教育部门与一组教师合作,了解他们对“当代艺术”一词的理解,并发现在课堂上进行当代艺术实践的条件。2004年秋天,我们与来自中小学的11位老师探讨了一些问题。虽然老师们工作的学校的文化/种族背景是多样的,但他们都致力于在课堂上与当代艺术合作,并探索这一领域的新教学法。他们与当代艺术的接触和他们的揭示和引人注目的经验被记录,背景和总结。讨论的示例构成了本文的实质内容。在此之前,我们分析了社会导向的当代艺术在更广泛的全球背景下的成功,并与许多学校对这些实践的遗漏进行了对比。关于如何通过使用当代艺术来更好地服务于课程,以及如何促进新的学习方法,已经初步得出结论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Teaching Now with the Living: A Dialogue with Teachers Investigating Contemporary Art Practices
The Education Departments of Tate Modern and Goldsmiths College collaborated with a group of teachers to find out what they understood by the term ‘contemporary art’ and to discover the conditions that enable contemporary art practices in the classroom. We explored questions with eleven teachers, from both primary and secondary schools, during the Autumn of 2004. Although the cultural/ethnic context of the schools the teachers worked within was diverse, they shared a commitment to working with contemporary art in the classroom and exploring new pedagogies in this field. Their engagement with contemporary art and their revealing and compelling experiences are documented, contextualized and summarized. Samples of the discussions form the substance of this article. This is preceded by an analysis of the success of socially-orientated contemporary art in the wider global context and its contrast with the omission of these practices in many schools. Conclusions have been tentatively drawn about how the curriculum may be better served by the use of contemporary art, as well as the means by which new learning methods may be facilitated.
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