艺术与休闲:业余艺术家,伦勃朗和景观表现

M. Zell
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引用次数: 0

摘要

本章确定了荷兰业余艺术与伦勃朗艺术作品中风景的对应关系,并以此阐明了礼品文化与市场领域中某些类型艺术品的扣留之间的联系。荷兰业余爱好者喜欢从自然中绘制风景作为消遣,因此制定了艺术和休闲的相互关联的理想,也支配了景观在当代艺术理论中的地位。这种将自然素描作为一种休闲活动的审美化的社会结构也塑造了包括伦勃朗在内的著名历史画家的景观艺术,伦勃朗的风景画与业余风景画有着密切的联系。伦勃朗在阿姆斯特丹郊区的乡村写生之旅,就像那些荷兰业余爱好者一样,并不纯粹是一项商业事业。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Art and Leisure: Amateur Artists, Rembrandt, and Landscape Representation
This chapter identifies a correspondence between Dutch amateur art and the place of landscape in Rembrandt’s artistic production, and in doing so illuminates the link between gift culture and the withholding of certain types of artworks from the domain of the marketplace. Dutch amateurs favored landscapes drawn from nature as a pastime, thus enacting interrelated ideals of art and leisure that also governed the status of landscape in contemporary art theory. This aestheticized social construct of sketching nature as a leisure activity also shaped the landscape art of prominent history painters, including Rembrandt, whose landscape drawings share close affinities with amateur landscapes. Rembrandt’s sketching excursions in Amsterdam’s suburban countryside, like those of Dutch amateurs, were not purely a commercial undertaking.
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