{"title":"终曲:","authors":"William Cheng","doi":"10.5040/9781350073678.0016","DOIUrl":null,"url":null,"abstract":"A brief Postlude critiques societies’ common narratives around trauma as a source of beauty, musical and otherwise. It asks whether tropes of “tortured artists” and “no pain no gain” foreclose imaginations of realities in which the beautiful can—or should—exist without the romantic mandates of incipient terror.","PeriodicalId":394605,"journal":{"name":"Jón Leifs and the Musical Invention of Iceland","volume":"17 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1994-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"POSTLUDE:\",\"authors\":\"William Cheng\",\"doi\":\"10.5040/9781350073678.0016\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"A brief Postlude critiques societies’ common narratives around trauma as a source of beauty, musical and otherwise. It asks whether tropes of “tortured artists” and “no pain no gain” foreclose imaginations of realities in which the beautiful can—or should—exist without the romantic mandates of incipient terror.\",\"PeriodicalId\":394605,\"journal\":{\"name\":\"Jón Leifs and the Musical Invention of Iceland\",\"volume\":\"17 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1994-08-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Jón Leifs and the Musical Invention of Iceland\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5040/9781350073678.0016\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Jón Leifs and the Musical Invention of Iceland","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5040/9781350073678.0016","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
A brief Postlude critiques societies’ common narratives around trauma as a source of beauty, musical and otherwise. It asks whether tropes of “tortured artists” and “no pain no gain” foreclose imaginations of realities in which the beautiful can—or should—exist without the romantic mandates of incipient terror.
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