建构一种可见性教学法

Adam Tramantano
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摘要

在这篇探索性的文章中,我讨论了作为一名教师、教育家和艺术家,可见性的复杂性。来自创造性和后现代研究方法的概念帮助我提出,这是一种感知的品质,而不是艺术或任何其他类型文本的品质。作为一名教育家和艺术家,在探索显而易见性对我来说是如何进入和离开焦点的过程中,我首先讨论了艺术在我成为一名教师教育者中的作用;我意识到艺术作为一个探索促进讨论、吸引他人注意力、提高对我们所相信的重要事物的认识的场所的功效。作为一名画家,我在这些将艺术与教学和教育联系起来的尝试中,反思和探究什么是值得称赞的,什么是有限的。我的研究方法是叙述性和反思性的,无意于发现谨慎的发现,但更感兴趣的是发现问题,并提供一些方法来构建我的经历,以及它们对教育家、教师教育、艺术和艺术家的可能影响。我思考艺术和教育之间的相似之处,特别是如何将观看艺术作为课堂讨论的隐喻。这篇文章关注的是我们所认为的显而易见和神秘的东西,以及我们如何与他人感知的共鸣和不和谐进行对话。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Constructing a Pedagogy of Apparentness
In this explorative essay, I discuss the complexity of apparentness as it pertains to being a teacher educator and an artist. Notions from creative and postmodern research approaches help me suggest that it is a quality of perception and not a quality of art or any other kind of text. In this exploration of how apparentness comes in and out of focus for me as an educator and as an artist, I begin with a discussion of the role of art in my becoming a teacher educator; I realize art’s efficacy as a site for exploring the acts of facilitating discussions, drawing the attention of others, and raising an awareness for what we believe matters. As a painter, I reflect on and inquire into what is laudable and limited in these forays of connecting art to teaching and education. The research approach is narrative and reflective, not intent on the discovery of discreet findings, but more interested in discovering questions and in offering some ways of framing my experiences and their possible implications for educators, teacher education, art, and artists. I ponder the parallels between art and education, particularly in how viewing art can be a metaphor for classroom discussions. The essay is concerned with what we believe is apparent and mysterious, and how we engage in dialogue with the resonance and dissonance of the perceptions of others.
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