{"title":"丹尼尔·摩根,《影像的诱惑:移动摄影机的认知幻想》,奥克兰:加州大学出版社,2021年,244页","authors":"Antonio Patrick D’Amico","doi":"10.54103/2036-461x/17978","DOIUrl":null,"url":null,"abstract":"","PeriodicalId":262328,"journal":{"name":"Cinéma & Cie. Film and Media Studies Journal","volume":"22 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-06-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Daniel Morgan, The Lure of the Image: Epistemic Fantasies of the Moving Camera, Oakland: University of California Press, 2021, 244 pages\",\"authors\":\"Antonio Patrick D’Amico\",\"doi\":\"10.54103/2036-461x/17978\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\",\"PeriodicalId\":262328,\"journal\":{\"name\":\"Cinéma & Cie. Film and Media Studies Journal\",\"volume\":\"22 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2022-06-27\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Cinéma & Cie. Film and Media Studies Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.54103/2036-461x/17978\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Cinéma & Cie. Film and Media Studies Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54103/2036-461x/17978","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}