Dharma Satrya HD
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摘要

本文以小说《Sanggarguri》为中心,探讨龙目岛在当代印尼小说中的意义。小说探讨了伊斯兰教中非正统教师的概念。这部小说是在反对正统伊斯兰教关于“大师”概念的话语的背景下呈现的。本文运用建构主义的表征理论,探索上迦古里“上师”的概念。通过这种方法,小说被认为不是关于龙目岛的介绍,而是龙目岛的代表。数据就是语言,无论是单词还是段落,无论是叙事形式还是隐喻形式。使用符号学和话语方法进行数据分析。分析结果表明,小说《尚迦古里》将花的名字(肯邦)作为Sasak伊斯兰精神存在的阶段,将龙目岛概念化为传统话语。从gadung flower到“Sanggar Guri老师”,一个智慧专家老师的阶段,揭示了在非正统的萨萨克伊斯兰教中,老师的概念是向任何人开放的。它属于任何人,任何地方。这个概念不同于正统伊斯兰教中由“团上师”倡导的“上师”概念,后者的知识与哈拉曼有关。因此,只有少数人能成为“团师”。Sanggarguri的“上师”话语与“团上师”关于“上师”意义的话语是对立的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
MAKNA GURU DALAM TRADISI ISLAM SASAK: REPRESENTASI LOMBOK DALAM NOVEL SANGGARGURI
This article discusses the meaning of Lombok in contemporary Indonesian novels with a focus on the novel Sanggarguri. The novel discusses the concept of heterodox teachers in Islam. The novel is presented in the context of opposing orthodox Islamic discourse on the concept of ‘guru’. To discover the concept of ‘guru’ in Sanggarguri, this article applies representation theory with a constructionist approach. With that approach, the novel is assumed not to be a presentation about Lombok, but a representation of Lombok. Data were language, both word and paragraph, both in narrative and metaphorical form. Data analysis was performed using semiotic and discourse methods. The results of the analysis show that the novel Sanggarguri conceptualizes Lombok into a traditional discourse by using the names of flowers (kembang) as stages that exist in Sasak Islamic spirituality. The stages from gadung flower to ‘Sanggar Guri teacher’, a wisdom expert teacher, reveal that the concept of a teacher in heterodox Sasak Islam is open to anyone. It belongs to anyone and anywhere. The concept is different from the concept of ‘guru’ in orthodox Islam promoted by ‘tuan guru’, whose knowledge is connected to Haramain. Therefore, only a few people can become ‘tuan guru’. The discourse of ‘guru’ in Sanggarguri is against the discourse of ‘tuan guru’ on the meaning of ‘guru’.
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