希尼和赫西奥德

R. Fowler
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引用次数: 0

摘要

希尼承认自己与农民诗人有着密切的关系,这是一种文学传统的源泉,这种传统受到启发,但根深蒂固:农村和地方,而不是宫廷、城市或世界。他区分了“乡村”和“田园”,把赫西奥德和卡瓦纳、伯恩斯和克莱尔联系起来,这些诗人影响并证实了他自己的风格。我探讨了诗歌职业与农业劳动的关系,讨论了在《神权》和《工作与日子》中与缪斯的相遇,以及它在希尼从早期的《个人螺旋》到《人链》的写作中的共鸣。希尼(和赫西奥德一样)最常回归耕耘者的“专家”艺术;我展示了耕地的形状和成就是如何反映诗歌的。我以希尼在《来自希腊的十四行诗》中对赫西奥德的认可作为总结。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Heaney and Hesiod
Heaney acknowledges an affinity with the farmer-poet, the source of a literary tradition which is inspired but rooted: rural and provincial rather than courtly, urban, or cosmopolitan. Distinguishing between ‘rural’ and ‘pastoral’, he draws connections between Hesiod and Kavanagh, Burns and Clare, poets who influenced and authenticated his own style. I explore the relation of poetic vocation to agricultural labour, discussing the encounter with the Muses in the Theogony and the Works and Days and its resonances in Heaney’s writing from the early ‘Personal Helicon’ to Human Chain. Heaney (like Hesiod) returns most often to the ‘expert’ art of the ploughman; I show how the shape and achievement of the ploughed field mirror those of the poem. I conclude with Heaney’s recognition of Hesiod in the ‘Sonnets from Hellas’.
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