Gagrag Ngayogyakarta木偶戏中的Begawan Ciptaning场景:表现自我接近上帝的本质

D. Sulaksono, Tya Resta Fitriana, Prima Veronika
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引用次数: 0

摘要

木偶故事或木偶表演是包含说教性道德问题和美学元素的文学作品。木偶戏还包含广泛的指导方针(piwulang),如宗教价值观、哲学、伦理和人类生活的品格教育。此外,木偶作为人类日常生活的榜样和例证具有崇高的价值,对塑造性格和民族认同至关重要。本研究旨在描述和阐述加拉格·日惹风格表演的普瓦木偶的哲学意义,特别是阿朱那的苦行或Begawan Ciptaning的场景。本研究为定性描述性研究。使用内容分析的数据分析技术。本研究的结果表明,阿朱那维瓦哈的故事,特别是阿朱那的禁欲场景的榜样。这个场景包含道德价值,比如阿尔诸那试图接近世界统治者本质的坚定和坚持。另一个价值观是对父母和国家的忠诚,以及领导力。木偶故事中的价值观也与当今生活有关,并与伊斯兰思想有关。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Begawan Ciptaning scene in the Gagrag Ngayogyakarta puppet show: Representation to approach the self to the essence of the God
Puppet stories or shows are literary works that contain didactic moral problems and aesthetic elements. Puppet shows also contain extensive guidelines (piwulang), such as religious values, philosophy, ethics, and character education for human life. Furthermore, the puppet has noble values ​​as role models and illustrations of daily human life (pathet) and crucial to build character and national identity. This study aims to describe and elaborate on the philosophical meaning of the Purwa Puppet of Gagrag Ngayogyakarta style performance, especially the scene of Arjuna’s asceticism or Begawan Ciptaning. This research is a qualitative descriptive study. Data analysis techniques using content analysis. The results of this study indicate the role model of Arjunawiwaha’s story, especially the scene of Arjuna’s asceticism. This scene contains moral values, such as Arjuna’s firmness and persistence in trying to get closer to the essence of the world’s rulers. Another value is devotion to parents and the state, and leadership. The values found in the puppet stories are also relevant to nowadays life and are linked to Islamic thoughts.
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