拉丁美洲的表演、抗议和女权主义

Cara Snyder, Sabrina González
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摘要

拉丁美洲的激进分子是如何在网上和街头为变革而战的?这篇文章讲述了一门关于拉丁美洲女权主义抗议和表演的课程,探讨了女权主义活动在物理和数字空间中的局限性和可能性。在这个关键的历史时刻,整个西半球的女权主义者正在集体组织起来,要求变革和正义,谴责普遍存在的厌女症和性别暴力,并设想和实现另一个世界。凭借悠久的斗争历史,她们在多个平台上参与表演艺术,包括拉斯·特西的作品《强奸犯就是你》(El Violador Eres Tu),在#NiUnaMenos (#NotOneWomanLess)和#AbortoLegalYa (#LegalizeAbortionNow)的标签下,以及在大规模的身体占领和抗议活动中,如#OcupaEscola(#占领学校)。他们动员起来谴责杀害妇女,提倡在公立医院合法堕胎,并在公立学校推行全面的性教育。利用这些相互关联的表演和抗议形式,Marcela Fuentes将其称为“表演星座”,女性和性别歧视者正在共同争取没有恐惧的生活权利,为自己的身体做出决定,并在一个更公正的世界中生存。本课程要求学生学习拉丁美洲的女权运动,并将他们的见解与我们的亲密和集体经历联系起来。除了教学大纲之外,这篇文章还提供了对合作教学哲学、跨美洲的跨国行动主义以及可能在网上发生的具体化模式的反思。我们邀请学生和教育工作者一起思考,在注重快乐和团结的大学课堂上,“表现良好”可能意味着什么。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Performance, Protest, and Feminism in Latin America
How do activists in Latin America fight for change both online and in the streets? This piece narrates a course on Feminist Protest and Performance in Latin America that explores the limits and possibilities of feminist activism in physical and digital spaces. At this critical historical juncture, feminists across the hemisphere are organizing en masse to demand change and justice, to denounce pervasive misogyny and gender violence, and to envision and realize another world. Drawing on a long history of struggle, they are engaging in performance artivism across multiple platforms including Las Tesis piece El Violador Eres Tu (The rapist is you), under the hashtags #NiUnaMenos (#NotOneWomanLess) and #AbortoLegalYa (#LegalizeAbortionNow), and in massive physical occupations and protests like #OcupaEscola (#OccupyTheSchools). They are mobilizing to condemn femicide, to advocate access to legal abortions in public hospitals, and to introduce comprehensive sex education in public schools. Drawing on these interconnected forms of performance and protest, what Marcela Fuentes refers to as “performance constellations,” women and disidencias sexuales are fighting together for the right to live without fear, to make decisions about their own bodies, and to exist in a more just world. This class asks students to learn from Latin American feminst movements and to connect their insights to our intimate and collective experiences. Beyond the syllabus, this piece offers reflections on the philosophy of co-teaching, transnational activism across the Americas, and modes of embodiment that can happen online. We invite students and educators alike to consider what it might mean to “perform well” in a university class focused on pleasure and solidarity.
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