作为异托邦的身体

Martin Loos, Johanna Kaszti, R.J.M. van der Waarden
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引用次数: 0

摘要

乌托邦主义包含了无数个人与集体之间的紧张关系,这些紧张关系往往表现在身体上。为了应对这些紧张关系,本文假设了一个理论框架,将身体概念化为异托邦:同时是一个真实的身体空间和社会价值的表现场所。这样一种概念化,在很大程度上借鉴了米歇尔·福柯、朱迪思·巴特勒和露丝·莱维塔斯的作品,使这些紧张关系得以协商,并引出了身体、乌托邦主义、个人和集体之间的纠缠。然后,通过两个文学案例研究,这个框架既得到了证明,也变得更加复杂:我们在奥克塔维亚·e·巴特勒的《播种者的寓言》中探索了“超同理心”的概念,在雷·布拉德伯里的《插图人》中探索了纹身的身体。这些概念被用来充实我们的中心主张:异托邦——象征身体及其与乌托邦主义的关系——仍然是处理和理解乌托邦主义中与个人和集体有关的紧张关系的最佳概念化。这提供了一个理论基础,其他人可以在此基础上帮助解决与暴露的紧张关系相关的道德和政治问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Body as Heterotopia
Utopianism contains myriad tensions between the individual and collective, which are often acted out on the body. To engage with these tensions, this paper postulates a theoretical framework conceptualizing the body as heterotopia: simultaneously a real corporeal space and a performed locus of social values. Such a conceptualization, which draws heavily from the works of Michel Foucault, Judith Butler, and Ruth Levitas, enables the negotiation of these tensions and draws out the entanglements in and between the body, utopianism, the individual, and the collective. This framework is then both demonstrated and complicated by way of two literary case studies: we explore the notion of ‘hyperempathy’ in Octavia E. Butler’s Parable of the Sower, and tattooed bodies in Ray Bradbury’s The Illustrated Man. These concepts are put to work to flesh out our central claim: heterotopia—signifying the body and its relationship to utopianism—remains the best conceptualization to approach and understand tensions relating to the individual and collective in utopianism. This provides a theoretical basis on which others can build to help tackle moral and political issues related to the tensions laid bare.
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