{"title":"乌克兰医生Mykhailo Polupaienko的吉他活动","authors":"V. Palamarchuk","doi":"10.33398/2310-0583.2019.44.130.142","DOIUrl":null,"url":null,"abstract":"Ukrainian guitarist Mykhailo Polupaienko's persona is investigated in\norder to make creative profile of this musician. To achieve the objective was\ncollected biographical data, repertoire and composers portfolio, information\nabout connections of the guitarist with other musicians. Contemporary guitar\nhandbooks and photos of the musician and his colleagues were also subjects\nof investigation in order to figure out features of his guitar techniques.\nHypothesis about dr. Polupaienko's fingering principles were proposed,\nalong with definition of general stylistic direction of his repertoire. Lot of\nattention were put to design peculiarities of his guitar, analyzed hypothesis\nabout origin of the instrument and luthier identity. It is proven based on\ncollected data that dr. Polupaienko belongs to school of J. Decker-Schenk,\nPetersburg's guitarist of Austrian origin. Specific features of guitar technique of J. Decker-Schenk's school and it's representative dr. Polupaienko are\ndiscovered. It is perspective to further investigate pieces and arrangements by\ndr. Polupaienko as it will help to detect features and peculiarities of his\ncomposing approach.","PeriodicalId":161017,"journal":{"name":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","volume":"2009 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Guitar activity of Ukrainian physician Mykhailo Polupaienko\",\"authors\":\"V. Palamarchuk\",\"doi\":\"10.33398/2310-0583.2019.44.130.142\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Ukrainian guitarist Mykhailo Polupaienko's persona is investigated in\\norder to make creative profile of this musician. To achieve the objective was\\ncollected biographical data, repertoire and composers portfolio, information\\nabout connections of the guitarist with other musicians. Contemporary guitar\\nhandbooks and photos of the musician and his colleagues were also subjects\\nof investigation in order to figure out features of his guitar techniques.\\nHypothesis about dr. Polupaienko's fingering principles were proposed,\\nalong with definition of general stylistic direction of his repertoire. Lot of\\nattention were put to design peculiarities of his guitar, analyzed hypothesis\\nabout origin of the instrument and luthier identity. It is proven based on\\ncollected data that dr. Polupaienko belongs to school of J. Decker-Schenk,\\nPetersburg's guitarist of Austrian origin. Specific features of guitar technique of J. Decker-Schenk's school and it's representative dr. Polupaienko are\\ndiscovered. It is perspective to further investigate pieces and arrangements by\\ndr. Polupaienko as it will help to detect features and peculiarities of his\\ncomposing approach.\",\"PeriodicalId\":161017,\"journal\":{\"name\":\"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko\",\"volume\":\"2009 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.33398/2310-0583.2019.44.130.142\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Scientific collections of the Lviv National Music Academy named after M.V. Lysenko","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.33398/2310-0583.2019.44.130.142","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Guitar activity of Ukrainian physician Mykhailo Polupaienko
Ukrainian guitarist Mykhailo Polupaienko's persona is investigated in
order to make creative profile of this musician. To achieve the objective was
collected biographical data, repertoire and composers portfolio, information
about connections of the guitarist with other musicians. Contemporary guitar
handbooks and photos of the musician and his colleagues were also subjects
of investigation in order to figure out features of his guitar techniques.
Hypothesis about dr. Polupaienko's fingering principles were proposed,
along with definition of general stylistic direction of his repertoire. Lot of
attention were put to design peculiarities of his guitar, analyzed hypothesis
about origin of the instrument and luthier identity. It is proven based on
collected data that dr. Polupaienko belongs to school of J. Decker-Schenk,
Petersburg's guitarist of Austrian origin. Specific features of guitar technique of J. Decker-Schenk's school and it's representative dr. Polupaienko are
discovered. It is perspective to further investigate pieces and arrangements by
dr. Polupaienko as it will help to detect features and peculiarities of his
composing approach.