新曝光:阿拉伯影像基金会与策展

D. Berndt
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引用次数: 1

摘要

大约20年前,黎巴嫩摄影师Fouad Elkoury和Samer Mohdad与黎巴嫩艺术家Akram Zaatari决定创建一个组织,旨在保存和研究来自中东、北非和阿拉伯侨民的照片。1997年,阿拉伯形象基金会(AIF)作为一个非营利组织在贝鲁特正式运作。作为一项通过定位、收集和保存照片来收集知识和提高对该地区摄影遗产的认识的倡议,AIF现在收藏了来自黎巴嫩、伊拉克、伊朗、巴勒斯坦、叙利亚、埃及、约旦、摩洛哥和阿尔及利亚以及墨西哥、塞内加尔和阿根廷的60多万张照片,可追溯到19世纪中期。[1]策展工作定义了AIF的使命,不仅在于保护和管理藏品,还在于它一直寻求让公众看到这些藏品。一个主要的工具是在线图像数据库,可以访问大约20,000张照片。展示的另一个中心媒介是展览形式。自成立以来,AIF已经举办了15次展览,并在世界各地巡回展出,通常还伴有综合性出版物。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
New Exposure: The Arab Image Foundation and the Curatorial
It is now about twenty years ago that Lebanese photographers Fouad Elkoury and Samer Mohdad, together with Lebanese artist Akram Zaatari, decided to create an organization with the aim to preserve and study photographs from the Middle East, North Africa, and the Arab diaspora. In 1997 the Arab Image Foundation (AIF) began to operate officially as a nonprofit organization in Beirut. Conceived as an initiative to gather knowledge and promote awareness about the region’s photographic heritage through locating, collecting, and conserving photographs, the AIF now holds a collection of more than 600,000 photographs from Lebanon, Iraq, Iran, Palestine, Syria, Egypt, Jordan, Morocco, and Algeria, as well as Mexico, Senegal, and Argentina, dating from the mid-nineteenth century.[1] Curatorial work defines the mission of the AIF not only in the sense that it is safekeeping and managing a collection, but also in that it has always sought to make the collection visible to the public. One major tool has been an online image database, which makes approximately 20,000 photographs accessible. Another central medium of display is the exhibition format. Since its inception, the AIF has produced fifteen exhibitions that have traveled worldwide, often accompanied by comprehensive publications.
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