托马斯·贝克特《笑圣人

Peter J. A. Jones
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引用次数: 0

摘要

第四章研究了托马斯·贝克特的笑声的圣徒化,以及他的宫廷智慧被重新塑造成圣洁的美德。在亨利的宫廷里,托马斯被称为一个轻浮的小丑,他死后被誉为一种“笑圣人”(sanctus ridens)。他被描述为在做预言时大笑,甚至在被谋杀时也笑。他死后,他创造了一系列独特的喜剧奇迹。正如本章所论述的,将托马斯塑造成一个“笑圣人”,最终明确了前几章所探讨的关于笑的知识、文学和宫廷观念。这一神圣的形象也依赖于12世纪后期的圣徒传记、编年史和史诗中流行的笑先知和奇迹。最重要的是,托马斯笑声的重塑回溯性地赋予亨利二世宫廷机智的政治文化一种新的道德的、准神学的力量。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Thomas Becket, The Laughing Saint
Chapter 4 investigates the hagiographic transfiguration of Thomas Becket’s laughter, and the recasting of his courtly wit into a saintly virtue. Known as a frivolous joker at Henry’s court, Thomas was posthumously celebrated as a type of “laughing saint” (sanctus ridens). He was described laughing while making prophecies and even while being murdered, and a unique series of comic miracles was attributed to him after his death. As this chapter argues, the making of Thomas as a “laughing saint” ultimately crystallized the intellectual, literary, and courtly ideas of laughter explored in the previous chapters. Legitimated by emerging ideas of transcendent laughter, this saintly image also depended on the popular currency of laughing prophets and miracles in late twelfth-century hagiographies, chronicles, and epic poems. Most importantly, the reshaping of Thomas’s laughter retroactively endowed the witty political culture of Henry II’s court with a new moral, quasi-theological power.
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