我的家就是我所在的地方

Eleanor Paynter
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引用次数: 6

摘要

随着意大利从移民国家转变为移民目的地,越来越多的移民和第二代作家的文学作品在将种族和民族认同的话语与该国日益增长的多样性及其殖民历史联系起来方面发挥了重要作用。本文调查了索马里移民之女伊贾巴·塞戈2010年出版的回忆录《我的家就在我所在的地方》,作为对这些不断变化的人口结构的生活写作,更广泛地说,是对影响当代欧洲的移民趋势的回应。塞戈通过叙事构建的自我融合了她的罗马身份和索马里背景,叙事将殖民历史回归到意大利的公共话语和公共空间。我认为,通过在罗马纪念碑和街区的背景下叙述个人和历史,塞戈的回忆录挑战并重新定义了谁可以成为“意大利人”,塑造了一个更具包容性的意大利人。我从回忆录对集体记忆的运用和叙事“我”的发展两方面来讨论这本回忆录,这种叙事“我”在集体身份中主张自己的地位,同时挑战那个群体的排斥倾向。本文于2016年6月8日提交给欧洲生命写作杂志,2017年7月17日发表。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The Spaces of Citizenship: Mapping Personal and Colonial Histories in Contemporary Italy in Igiaba Scego’s La Mia Casa È Dove Sono (My Home is Where I Am)
As Italy has changed from emigration country to immigration destination, the growing body of literature by migrant and second generation writers plays an important role in connecting discourses on race and national identity with the country’s increasing diversity and its colonial past. This essay investigates the 2010 memoir La Mia Casa E Dove Sono (My Home is Where I Am) by Igiaba Scego, the daughter of Somali immigrants, as life writing that responds to these changing demographics and, more broadly, to the migration trends affecting contemporary Europe. The self Scego constructs through her narration integrates her Roman identity and Somali background as the narrative returns colonial history to Italian public discourse and public space. I argue that by narrating the personal and historical in the context of Roman monuments and neighborhoods, Scego’s memoir challenges and redefines who can be “Italian,” modeling a more inclusive Italianita. I discuss the memoir in terms of its use of collective memory and its development of a narrative “I” that claims a position within a collective identity while challenging the exclusionary tendencies of that very group. This article was submitted to the  European Journal of Life Writing  on June 8th, 2016, and published on July 17th, 2017.
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