Afterword: Theatre and Speculation

The face-to-face encounter is a figure for direct, immediate contact between two entities. It has a long history, from Paul’s assertion that what he sees now in a glass darkly he will some day meet face to face to Emmanuel Levinas’ attempt to refound philosophy as based on its confrontation with another. But in seeking to determine the conditions under which the face to face could take place—absolute transparency to the absolutely other—its writers have risked stripping it of the contingencies and particularities that actually mark face-to-face encounters in the world. They have accidentally rendered it as theory and as theophany. Theatrical performance shows another view of the face to face, restoring to it the confusions and quirks of the world, embracing the dark glass of Paul’s wordly speculation rather than the promise of a more perfect vision always still to come. By executing the clarities that are hoped for in the face-to-face encounter, theater shows its shortcomings and discovers in them unhoped for points of contact.