{"title":"到达和离开点","authors":"Kia Corthron","doi":"10.5149/northcarolina/9781469656007.003.0019","DOIUrl":null,"url":null,"abstract":"At a certain point early in my development as a writer who also paints, I made a conscious decision to try to understand on some sort of personal, if eccentric, level the essential, technical aspects of writing and painting.\n I came to this decision because I had been feeling like somebody from a remote tribal village who had accidentally learned to drive a car. I could make the car move but I had no idea ...","PeriodicalId":145201,"journal":{"name":"The Essential Clarence Major","volume":"10 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Reaching and Leaving the Point\",\"authors\":\"Kia Corthron\",\"doi\":\"10.5149/northcarolina/9781469656007.003.0019\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"At a certain point early in my development as a writer who also paints, I made a conscious decision to try to understand on some sort of personal, if eccentric, level the essential, technical aspects of writing and painting.\\n I came to this decision because I had been feeling like somebody from a remote tribal village who had accidentally learned to drive a car. I could make the car move but I had no idea ...\",\"PeriodicalId\":145201,\"journal\":{\"name\":\"The Essential Clarence Major\",\"volume\":\"10 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Essential Clarence Major\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5149/northcarolina/9781469656007.003.0019\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Essential Clarence Major","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5149/northcarolina/9781469656007.003.0019","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
At a certain point early in my development as a writer who also paints, I made a conscious decision to try to understand on some sort of personal, if eccentric, level the essential, technical aspects of writing and painting.
I came to this decision because I had been feeling like somebody from a remote tribal village who had accidentally learned to drive a car. I could make the car move but I had no idea ...