{"title":"“上五下三”:辨别正典的潜力","authors":"Scott Murphy","doi":"10.30535/smtv.5.4","DOIUrl":null,"url":null,"abstract":"\nC.P.E. Bach once testified how his father, J.S. Bach, could anticipate if and how the subject of a fugue might contrapuntally combine with other lines later in the composition. This video equips the viewer with a method to do this regarding canonic combinations in particular, using stretto combinations from Clara Schumann’s fugue op. 16, no. 3.\n","PeriodicalId":305096,"journal":{"name":"The Society for Music Theory Videocast Journal","volume":"27 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"“Fifth Above, Third Below”: Discerning Canonic Potential\",\"authors\":\"Scott Murphy\",\"doi\":\"10.30535/smtv.5.4\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"\\nC.P.E. Bach once testified how his father, J.S. Bach, could anticipate if and how the subject of a fugue might contrapuntally combine with other lines later in the composition. This video equips the viewer with a method to do this regarding canonic combinations in particular, using stretto combinations from Clara Schumann’s fugue op. 16, no. 3.\\n\",\"PeriodicalId\":305096,\"journal\":{\"name\":\"The Society for Music Theory Videocast Journal\",\"volume\":\"27 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"The Society for Music Theory Videocast Journal\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.30535/smtv.5.4\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"The Society for Music Theory Videocast Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.30535/smtv.5.4","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
“Fifth Above, Third Below”: Discerning Canonic Potential
C.P.E. Bach once testified how his father, J.S. Bach, could anticipate if and how the subject of a fugue might contrapuntally combine with other lines later in the composition. This video equips the viewer with a method to do this regarding canonic combinations in particular, using stretto combinations from Clara Schumann’s fugue op. 16, no. 3.
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