{"title":"米歇尔·莱瑞斯的自传体作品《从男人的年龄到纤维》中仙女的化身","authors":"Jeanne-Marie Tuffery","doi":"10.7202/1097822ar","DOIUrl":null,"url":null,"abstract":"This study focuses on the figure of the fairy in the work of Michel Leiris, drawing on fairy tales but especially on chivalric romances. By distinguishing two medieval figures of the fairy (the lover and the godmother), it is easy to see that Leiris, in L’Âge d’homme , refers to the first one as an ambiguous sexual creature, at once enchanting and destructive. But traces of the latter can be found in","PeriodicalId":281460,"journal":{"name":"MuseMedusa: Revue de littérature et d’arts modernes","volume":"100 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Avatars de la fée dans l’oeuvre autobiographique de Michel Leiris, de L’Âge d’homme à Fibrilles\",\"authors\":\"Jeanne-Marie Tuffery\",\"doi\":\"10.7202/1097822ar\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This study focuses on the figure of the fairy in the work of Michel Leiris, drawing on fairy tales but especially on chivalric romances. By distinguishing two medieval figures of the fairy (the lover and the godmother), it is easy to see that Leiris, in L’Âge d’homme , refers to the first one as an ambiguous sexual creature, at once enchanting and destructive. But traces of the latter can be found in\",\"PeriodicalId\":281460,\"journal\":{\"name\":\"MuseMedusa: Revue de littérature et d’arts modernes\",\"volume\":\"100 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"MuseMedusa: Revue de littérature et d’arts modernes\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7202/1097822ar\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"MuseMedusa: Revue de littérature et d’arts modernes","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7202/1097822ar","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Avatars de la fée dans l’oeuvre autobiographique de Michel Leiris, de L’Âge d’homme à Fibrilles
This study focuses on the figure of the fairy in the work of Michel Leiris, drawing on fairy tales but especially on chivalric romances. By distinguishing two medieval figures of the fairy (the lover and the godmother), it is easy to see that Leiris, in L’Âge d’homme , refers to the first one as an ambiguous sexual creature, at once enchanting and destructive. But traces of the latter can be found in
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