{"title":"自然法则和莎士比亚关于秩序的宏大演讲","authors":"P. Titlestad","doi":"10.4314/sisa.v29i1.8","DOIUrl":null,"url":null,"abstract":"Natural law was a two-edged sword. It bolstered authority and order and was invoked by those claiming just rebellion. Shakespeare inherited intense controversy, complicated for him as a writer for the stage by the Master of the Revels, the servant of an anxious authority. This authority, at its highest, could however totally unsay itself when faced with a Mary Queen of Scots, to the applause of the nation. His plays are marked, here and there, by grand speeches of order. How do we take them? In what way do they reflect the age?","PeriodicalId":334648,"journal":{"name":"Shakespeare in Southern Africa","volume":"44 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2017-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Natural law and Shakespeare’s grand speeches of order\",\"authors\":\"P. Titlestad\",\"doi\":\"10.4314/sisa.v29i1.8\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Natural law was a two-edged sword. It bolstered authority and order and was invoked by those claiming just rebellion. Shakespeare inherited intense controversy, complicated for him as a writer for the stage by the Master of the Revels, the servant of an anxious authority. This authority, at its highest, could however totally unsay itself when faced with a Mary Queen of Scots, to the applause of the nation. His plays are marked, here and there, by grand speeches of order. How do we take them? In what way do they reflect the age?\",\"PeriodicalId\":334648,\"journal\":{\"name\":\"Shakespeare in Southern Africa\",\"volume\":\"44 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-07-20\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Shakespeare in Southern Africa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.4314/sisa.v29i1.8\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Shakespeare in Southern Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.4314/sisa.v29i1.8","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Natural law and Shakespeare’s grand speeches of order
Natural law was a two-edged sword. It bolstered authority and order and was invoked by those claiming just rebellion. Shakespeare inherited intense controversy, complicated for him as a writer for the stage by the Master of the Revels, the servant of an anxious authority. This authority, at its highest, could however totally unsay itself when faced with a Mary Queen of Scots, to the applause of the nation. His plays are marked, here and there, by grand speeches of order. How do we take them? In what way do they reflect the age?
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