montreal中的法语和表演艺术:两个传记旅程的概述

C. Brancaglion
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引用次数: 0

摘要

2018年,两位女性的传记在montrsamal上出版,她们自20世纪30年代以来塑造和活跃了这座城市的戏剧生活:一位是让-路易斯·奥德夫人,她致力于通过她的语言课程培训演员,另一位是莫尼克·米勒,在蒙特利尔和国际戏剧界扮演关键角色。这两个女人的人生轨迹在两卷书中被勾勒出来——分别由穆里尔·戈尔德和皮埃尔·奥德签名——书中有丰富的图像文件,可以让我们重温曲海梅的社会语言学和文化史上的一些重要事件。这篇文章的目的是强调这两篇文章如何能够成为研究标志着“平静的汇流”到来的一些变化的有用资料:妇女解放的最初迹象、汇流的文化生产的出现、电视的出现及其与其他表演艺术(戏剧、广播、电影)的相互关系、一些演员在汇流的语言、意识形态和艺术演变中的作用
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Langue française et arts du spectacle à Montréal : aperçu de deux parcours biographiques
In 2018 the biographies of two women who have shaped and animated the city's theatrical life since the 1930s were published in Montréal: one, Madame Jean-Louis Audet, dedicating herself to the training of actors through her diction courses, the other, Monique Miller, playing key roles in the Montreal and the international theatre scene. The paths of the two women are outlined in two volumes –  signed respectively by Muriel Gold and Pierre Audet –  rich in iconographic documents that allow to relive some important episodes of Québec's sociolinguistic and cultural history. The aim of this contribution is to highlight how the two writings can be useful sources for the study of some of the changes that marked the advent of the ‘Révolution tranquille’: the first signs of women's emancipation, the emergence of Québec's cultural production, the advent of television and its correlations with the other performing arts (theater, radio, cinema), the role of some actors in Québec's linguistic, ideological and artistic evolution
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