{"title":"伊朗网络电影,体现抗议的电影:不完美、业余、小型、未经授权、全球","authors":"H. Naficy","doi":"10.5117/9789462989092_ch05","DOIUrl":null,"url":null,"abstract":"This chapter examines the emergence of what I call ‘internet cinema’ by\n focusing on Iran in the late 2000s, particularly since the 2009 disputed\n re-election of Mahmoud Ahmadinejad as president, which unleashed\n the opposition Green Movement undergirded by this cinema. Iran\n provides an example of the use of the new internet-driven digital\n global media in support of democratic ideals that, soon after the Green\n Movement, rocked many authoritarian regimes of the Middle East and\n North Africa.","PeriodicalId":225180,"journal":{"name":"Media and Mapping Practices in the Middle East and North Africa","volume":"21 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Iranian Internet Cinema, a Cinema of Embodied Protest : Imperfect, Amateur, Small, Unauthorized, Global\",\"authors\":\"H. Naficy\",\"doi\":\"10.5117/9789462989092_ch05\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This chapter examines the emergence of what I call ‘internet cinema’ by\\n focusing on Iran in the late 2000s, particularly since the 2009 disputed\\n re-election of Mahmoud Ahmadinejad as president, which unleashed\\n the opposition Green Movement undergirded by this cinema. Iran\\n provides an example of the use of the new internet-driven digital\\n global media in support of democratic ideals that, soon after the Green\\n Movement, rocked many authoritarian regimes of the Middle East and\\n North Africa.\",\"PeriodicalId\":225180,\"journal\":{\"name\":\"Media and Mapping Practices in the Middle East and North Africa\",\"volume\":\"21 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"1900-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Media and Mapping Practices in the Middle East and North Africa\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5117/9789462989092_ch05\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Media and Mapping Practices in the Middle East and North Africa","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5117/9789462989092_ch05","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
Iranian Internet Cinema, a Cinema of Embodied Protest : Imperfect, Amateur, Small, Unauthorized, Global
This chapter examines the emergence of what I call ‘internet cinema’ by
focusing on Iran in the late 2000s, particularly since the 2009 disputed
re-election of Mahmoud Ahmadinejad as president, which unleashed
the opposition Green Movement undergirded by this cinema. Iran
provides an example of the use of the new internet-driven digital
global media in support of democratic ideals that, soon after the Green
Movement, rocked many authoritarian regimes of the Middle East and
North Africa.